Publications

 
 

Mirror Image

Published by Jane & Jeremy

From the publishers:

In Hannah Hughes’s Mirror Image series, she explores the relationship between image and sculpture, focusing on the potential of negative space, where value can be found on the sidelines. 

As Elizabeth Fullerton writes,

“the artist uses sculptural strategies to convey a sense of mass, volume and even physical sensation. The works begin life as the overlooked negative spaces cut from photographic images. Using her archive of cut-out negative spaces as props, Hughes creates new forms from their shadows by projecting light onto diverse backdrops. The negative form becomes a sort of double negative as the shadow is made material. Existing hierarchies of value are inverted, turning the marginalised lacunae or fragments around objects into positive forms that take centre stage.

…Within the liminal zone between photography and sculpture, Hughes has invented a language of her own with a distinctive vocabulary of glyphic forms, varied textures and subtle colours. She shows us the thrill of the unnoticed: fragments, gaps, edges and negative spaces become worthy subjects.”

Each book in this first edition of 200 includes a signed special edition print, and an introductory essay by Elizabeth Fullerton.

145mm x 200mm

Foiled debossed front cover

Die-cut pages

66 pages

With signed print

First edition of 200

Hand numbered

Glossaries

A collaborative publication by Hannah Hughes & Dafna Talmor

Published by Folium Publishing in association with Sid Motion Gallery

Published on the occasion of the exhibition Glossaries: Hannah Hughes & Dafna Talmor at Sid Motion Gallery; 1 December, 2022 - 11 February, 2023, London.

Includes an essay: Thinking in Fragments by Dr Briony Carlin.

Signed edition of 100
210 x 148 mm
Spiral bound
58pp with 5 Gatefolds
Colour Digital Print & Risograph Embossed & Debossed Cover

7 Paper Stocks
Includes a signed C-type colour photogram handcut fragment (variable size)